Sansone UCI 1922
Staging Torello Rolli
willfully subjects from drama Samson (1907) by Henri Bernstein, reduction of Torello Rolli
Operator: Arturo Buscengo
Production Designer: Alfredo Manzi
Performers: Angelo Ferrari ( Jack Brachart), Enrico Scatizzi (The Govain), Elena Sangro (Anne Marie d'Andelini)
The plot: It 's very likely that Jack Brachart abandoned to himself as a boy in the low, shady, corrupt the moles of Marseille, would have ended up being one of the many unfortunate people who populate the prisons of his country, se un giorno non avesse incontrato in un parco della grande città marittima una giovane signora elegantissima che scesa da un automobile comincia a passeggiare accompagnata da un gran cane levriere.
Jack, trasognato, la segue. La signora che si diverte agli sbalzi del cane si avvicina al ragazzo che le appare a un tratto dietro un albero. Ha un moto quasi di paura, si volge e si dirige verso il suo automobile. Nel movimento le è caduto un fiore, il monello lo raccoglie. Quella visione di bellezza parlò alla fantasia di Jack di un misterioso sogno di splendori verso il quale, da quel momento egli tese tutte le sue energie.
Facchino al porto, poi sorvegliante dei lavori: più tardi negoziante al Cairo, lo vediamo ora ancor Young in Paris in the tumultuous reign supreme Exchange environments. He launched the large financial companies of Rami Egyptians, a serious affair, based on good foundations which attracts speculators and capitalists.
Jack becomes the idol of all those who get rich by following his advice and because he always remained at the bottom of the old porter at the port of Marseille, violent, daring, a little 'rough, now that he has won the wealth, he wants at all costs imposed on the Great Society. Applies to be admitted in one of the most aristocratic circles of Paris. The Marquis of Andelini, president of the club is still stunned by the audacity that no reply within: Members share his ideas but when it was at point to vote, as all were against it, of course, was elected unanimously, with one vote. The only black ball was given by a certain Count The Govain a young cynical and mocking, completely ruined, which until then had lived at the back of his mistress, Grace Rikfords, who a few years ago, in Cairo had been the mistress of Jack Brachart and was enriched by following the advice in its financial speculation. The ideal of the Govain Grace was to marry, but now thinking of leaving because he had gained, led by Jack of large sums in "Rami Egyptians.
Assuming Jack is presented to the club house of the Marquis d'Andelini Ann Marie where he sees the only daughter of the Marquis, and he falls hopelessly in love because it looks like in an extraordinary manner to the young lady that he had seen a boy in a park in Marseilles. The family of Andelini is on the verge of ruin. Brachart will save will be granted if the hand of Ann Marie. The rebels violently to the idea of \u200b\u200bmarrying the man that she despises, his ideals and Govain who courts her for a long time, but finally succumbs before the prayers, the tears of his mother who begs you to save the family misery. Ann Marie Brachart wife, but says he does not love her and will never actually his wife. Jack accepts the deal, well he will tame the haughty woman and contemptuous: Ann, however, is firm in his purpose and from the first night Jack drives away from his room. Skip
some time. Brachart suffers, but thanks to his pride he remains apparently calm. The Govain continued insistence in his work of seduction. Ann resists, but knowing that one day Brachart has to leave for London, she refuses to follow him, and agrees to go that night from Le Govain.
Grace Rikfords taken by a violent jealousy, Brachart persuaded to pretend to leave and to return home at night. The Govain believing they have won the resistance of Ann, want to pump his conquest, and leads to a meeting at the Cafe Paris among a group of his friends, their lovers among such as Grace. Ann, who is in the midst of a disgusting orgy, is released violently in the arms of Le Govain, he injured his hand wanting to hit with a glass that is broken and distraught, disheveled, desperate to return home, where he finds that the Brachart forced to confess where returns and guess who the traitor is the Govain.
His whole nature violent, brutal, and wakes up: his revenge will be terrible. He rejects the false ideas of the gentry as the Govain honor. You do not fight but will reduce his foe to misery, forcing him to marry Grace Rikfords ruined the woman who had been her lover. He calls his secretary and tells him to sell the Stock Exchange on that day those actions that do not have anything valer.
retired to the Hotel Ritz, where he calls for The Govain: throws him to do all the insults that may suggest his fury, refusing to fight with him, threatening to kill him if he tries to escape, and keep him pinned under his violence until they reach the official news of the immense crak Stock Exchange. The "Rami Egyptians' are not worth anything. The Govain is ruined. "Go now," yells Brachart "You wanted to take my wife to be, and married now, if you do not want to starve, Grace Rikfords that was my lover and lover of all."
To crush your enemies, Brachart was ruined. He does meet its commitments, and finds himself as poor as when he was on the docks of Marseilles.
All the leave, but Ann understands that only a sublime love could push her husband to an act so madly heroic. Like Samson to defeat his enemies, he had sacrificed himself.
Ann is proud to be loved in that way, his heart is touched and tells her husband that you are holding in your arms, "Wait ... not wanting to be the strongest ever! I loved you ... understand me? ".
Brachart grabs his hand, caressing gesture with a humble and sweet and then a long passionate kisses.
Found 1200 m. the National Film Library (The Lumière Project) in 1995, perhaps sooner. According to the censorship, the original length was 1735 m. However, the film found at the National Film seems quite long for a restoration.
As many know, D'Annunzio dedicated to Carmen Elena Sangro a votivum entitled "The pleasing, given the time that the film expecting a restoration restored invisible variety of Sangro dedication to this film a" patience. "
Saturday, January 22, 2011
Sunday, January 16, 2011
Sulfer Smell In Bathroom
La Compagnia dei Matti 1928
Momi Tamberlan (Vasco Creti) Cioci Bortolo (Carlo Tedeschi), Piero Scavezza (Alex Bernard), are the three last survivors of an old club founded at the time of their lives from their fellow students Bardonazzi Joseph, a rich caposcarico as pleasant.
The rules of the Club stated among other things: "It can not be a member of the Club who has a reputation for hedonistic, gluttonous, drunken, reckless and violent. Those who can not prove that getting drunk, having taken all the holidays, they incurred a penalty for shouting at night, having had an accident, clamorous peaceful citizens at least once every month, can not be part of the club. " The founder and financier
Bardonazzi had been dead for many years, and cheated by the club motto: "If I'm not crazy do not want them," was now represented by three old men who lived in the rent of some property left dall'amato fondatore: nel palazzo nobiliare già sede del Club si era installato Piero con un fido domestico, Sioria (Giuseppe Brignone) : Bortolo viveva in un modesto appartamentino con una domestica tiranna che gli incuteva una maledetta paura: Momi, trovandosi vedono con la figlia Ginetta (Liliana Migliori), affettuosa e semplice, era passato a seconde, nozze con Irma (Elena Lunda), donna giovane e capricciosa, a cui risaliva la causa dei molti guai che angustiavano la vita declinante del poveretto.
I tre « Matti » erano diventati ormai savi, se non altro per la buona ragione dell'età e dei relativi acciacchi. Occorre ora notare che in base al testamento Bardonazzi, se l'usufrutto dei beni andava ai tre superstiti, il right to property was donated to the Congregation of Charity of the place which of course had the greatest interest in ensuring that the three old DeCamp.
One day he was appointed as President of the Congregation of the young lawyer Joust (Celio Bucchi), innovative spirit and energy, which, Bardonazzi examined the text and status of the club, he soon found that the three old, no longer mad had now lost all rights to membership in the Club, which had come to lapse automatically on income from the property left to them in usufruct as members. In essence this means impeccable reasoning of Joust for the three old one: hunger.
should therefore every cost to the lunatics to preserve the rights threatened, and then start for the three of the most pitiful farce.
Here they go around at night, and phlegm voice sing the songs of young people, here they rip like once the bell rope of the old houses and then perhaps to escape with his legs trembling, here they go on carnival rides with great astonishment of the villagers laugh amused by antics of the three unfortunate that trail in the game tearful sorrow of their weary hearts, and yet must be good ... earn their bread and coffee in the coming three old cackling, rebel guards, make all the colors, until one night, chased, a climbing wall, Piero breaks a leg, the two friends were bear arms in pharmacy, but there meet the lawyer. Carousel and then pretend to be drunk, and Piero, stifling the pain excruciating, sings and laughs with others.
But the 'Company of Fools' is destined to disappear. Piero died peacefully re-reading the last letters of his son fell on the field of honor: he died while his friends, believing him to be less seriously ill, are preparing to go to the ball, a necessary complement to their feats of strength for fools. Meanwhile at home
Momi prepares the tragedy that has crashed into the heart of the poor, whose love for his wife blindfolds him on the conduct of this woman: Irma betrays him with Prof. Rosolillo (Vittorio De Sica) who Momi, unconscious of the affair, volentieri accoglie in casa intravvedendo un buon matrimonio per sua figlia.
Irma e Rosolillo hanno deciso di andare al veglione mascherato, conducendo con loro Ginetta per salvare le apparenze: ma la fanciulla che ha intuito la verità e che soffre profondamente per il contegno della matrigna, rifiuta l'invito e rimane a casa. Verso la mezzanotte quando Momi, vestito da Pierrot è in procinto di recarsi al teatro, ecco che si trova di fronte a Ginetta: ella non vuol dire al padre quale sia la vera ragione della sua presenza in casa, e scoppia in un pianto dirotto. Momi intuisce e vuol vedere una carta che la figlia ha frettolosamente nascosto al suo apparire: si tratta di una domanda per ottenere un impiego in una lontana città.
Allora tutta the atrocious situation is clear to the spirit of Momi: poverty, debt, the abandonment of his daughter, his wife ... no, no, it would be terrible! How crazy
Momi runs the ball when frightened and almost foreboding Ginetta follows. The party is hot in all its folly, and the orgy that Momi assists greatly affects his spirit, but he does not stop and search feverishly in the halls, corridors, in stages, passing as the spectrum of anxiety in the middle of the Carnival triumph: and finally, alas, discovers his wife in a box in the arms of the professor. Momi hands convulsively grasping the culprit in the throat, but the forces are less and he breaks into a smile colvulso falling into the arms of her daughter and Bortolo che erano sopraggiunti.
I due colpevoli fuggono, ma ben presto il loro insano amore svanisce nel nulla, mentre Momi delira, inchiodato in letto da una violenta crisi che lo lascia in preda ad una dolce, triste pazzia.
L'Avv. Giostra, colpito dalla tragedia da lui stesso inconsciamente causata, si sente quasi colpevole e cerca di riparare almeno in parte all'uragano che ha scatenato: così si occupa di far ricoverare Momi in un sanatorio perchè vi riceva le cure più affettuose, e intanto prodiga tutto il possibile conforto a Ginetta dalla cui grazia gentile poco a poco si sente conquiso.
Così quando la ragione di Momi ritorna sana una grande gioia le si prepara: il buon vecchietto entrerà presto in una nuova casa ove fiorirà around him the romance of two young hearts.
Edition Pittaluga
1928 Art direction by Mario Almirante; Operator: Massimo Terzano, Set Design drawings of Prof. Giulio Boetto. Subject
play by Gino Rocca If not i will not mati x blood volume (1926), reduction of Camillo Brutus Bonzi.
Film restored by the Italian Film Archive Foundation (Milan) and the Film Library of Bologna. 3200 m. 116 'to 24 f / s.
Momi Tamberlan (Vasco Creti) Cioci Bortolo (Carlo Tedeschi), Piero Scavezza (Alex Bernard), are the three last survivors of an old club founded at the time of their lives from their fellow students Bardonazzi Joseph, a rich caposcarico as pleasant.
The rules of the Club stated among other things: "It can not be a member of the Club who has a reputation for hedonistic, gluttonous, drunken, reckless and violent. Those who can not prove that getting drunk, having taken all the holidays, they incurred a penalty for shouting at night, having had an accident, clamorous peaceful citizens at least once every month, can not be part of the club. " The founder and financier
Bardonazzi had been dead for many years, and cheated by the club motto: "If I'm not crazy do not want them," was now represented by three old men who lived in the rent of some property left dall'amato fondatore: nel palazzo nobiliare già sede del Club si era installato Piero con un fido domestico, Sioria (Giuseppe Brignone) : Bortolo viveva in un modesto appartamentino con una domestica tiranna che gli incuteva una maledetta paura: Momi, trovandosi vedono con la figlia Ginetta (Liliana Migliori), affettuosa e semplice, era passato a seconde, nozze con Irma (Elena Lunda), donna giovane e capricciosa, a cui risaliva la causa dei molti guai che angustiavano la vita declinante del poveretto.
I tre « Matti » erano diventati ormai savi, se non altro per la buona ragione dell'età e dei relativi acciacchi. Occorre ora notare che in base al testamento Bardonazzi, se l'usufrutto dei beni andava ai tre superstiti, il right to property was donated to the Congregation of Charity of the place which of course had the greatest interest in ensuring that the three old DeCamp.
One day he was appointed as President of the Congregation of the young lawyer Joust (Celio Bucchi), innovative spirit and energy, which, Bardonazzi examined the text and status of the club, he soon found that the three old, no longer mad had now lost all rights to membership in the Club, which had come to lapse automatically on income from the property left to them in usufruct as members. In essence this means impeccable reasoning of Joust for the three old one: hunger.
should therefore every cost to the lunatics to preserve the rights threatened, and then start for the three of the most pitiful farce.
Here they go around at night, and phlegm voice sing the songs of young people, here they rip like once the bell rope of the old houses and then perhaps to escape with his legs trembling, here they go on carnival rides with great astonishment of the villagers laugh amused by antics of the three unfortunate that trail in the game tearful sorrow of their weary hearts, and yet must be good ... earn their bread and coffee in the coming three old cackling, rebel guards, make all the colors, until one night, chased, a climbing wall, Piero breaks a leg, the two friends were bear arms in pharmacy, but there meet the lawyer. Carousel and then pretend to be drunk, and Piero, stifling the pain excruciating, sings and laughs with others.
But the 'Company of Fools' is destined to disappear. Piero died peacefully re-reading the last letters of his son fell on the field of honor: he died while his friends, believing him to be less seriously ill, are preparing to go to the ball, a necessary complement to their feats of strength for fools. Meanwhile at home
Momi prepares the tragedy that has crashed into the heart of the poor, whose love for his wife blindfolds him on the conduct of this woman: Irma betrays him with Prof. Rosolillo (Vittorio De Sica) who Momi, unconscious of the affair, volentieri accoglie in casa intravvedendo un buon matrimonio per sua figlia.
Irma e Rosolillo hanno deciso di andare al veglione mascherato, conducendo con loro Ginetta per salvare le apparenze: ma la fanciulla che ha intuito la verità e che soffre profondamente per il contegno della matrigna, rifiuta l'invito e rimane a casa. Verso la mezzanotte quando Momi, vestito da Pierrot è in procinto di recarsi al teatro, ecco che si trova di fronte a Ginetta: ella non vuol dire al padre quale sia la vera ragione della sua presenza in casa, e scoppia in un pianto dirotto. Momi intuisce e vuol vedere una carta che la figlia ha frettolosamente nascosto al suo apparire: si tratta di una domanda per ottenere un impiego in una lontana città.
Allora tutta the atrocious situation is clear to the spirit of Momi: poverty, debt, the abandonment of his daughter, his wife ... no, no, it would be terrible! How crazy
Momi runs the ball when frightened and almost foreboding Ginetta follows. The party is hot in all its folly, and the orgy that Momi assists greatly affects his spirit, but he does not stop and search feverishly in the halls, corridors, in stages, passing as the spectrum of anxiety in the middle of the Carnival triumph: and finally, alas, discovers his wife in a box in the arms of the professor. Momi hands convulsively grasping the culprit in the throat, but the forces are less and he breaks into a smile colvulso falling into the arms of her daughter and Bortolo che erano sopraggiunti.
I due colpevoli fuggono, ma ben presto il loro insano amore svanisce nel nulla, mentre Momi delira, inchiodato in letto da una violenta crisi che lo lascia in preda ad una dolce, triste pazzia.
L'Avv. Giostra, colpito dalla tragedia da lui stesso inconsciamente causata, si sente quasi colpevole e cerca di riparare almeno in parte all'uragano che ha scatenato: così si occupa di far ricoverare Momi in un sanatorio perchè vi riceva le cure più affettuose, e intanto prodiga tutto il possibile conforto a Ginetta dalla cui grazia gentile poco a poco si sente conquiso.
Così quando la ragione di Momi ritorna sana una grande gioia le si prepara: il buon vecchietto entrerà presto in una nuova casa ove fiorirà around him the romance of two young hearts.
Edition Pittaluga
1928 Art direction by Mario Almirante; Operator: Massimo Terzano, Set Design drawings of Prof. Giulio Boetto. Subject
play by Gino Rocca If not i will not mati x blood volume (1926), reduction of Camillo Brutus Bonzi.
Film restored by the Italian Film Archive Foundation (Milan) and the Film Library of Bologna. 3200 m. 116 'to 24 f / s.
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